By Newton Lee
Disney tales: attending to Digital explores how Disney, the guy and the corporate, used technological innovation to create characters and tales that have interaction audiences in lots of diverse media, specifically in games and at the Internet.
Drawing on Disney movies from the twenties and thirties, in addition to the writings of historians, screenwriters and manufacturers, Disney tales: attending to Digital explains how new movie and animation innovations, many built by way of Disney, labored jointly to conform personality and content material improvement and bring wonderful tales that riveted audiences.
Through an insider’s standpoint of Disney’s mythical construction technique, the booklet heavily examines how the Disney corporation moved its tales into the digital international within the Nineteen Nineties and the digital, on-line groups of the 2000s. by way of embracing the electronic period, Disney led storytelling and technological innovation through granting their viewers the original chance to participate of their construction procedure via their on-line video games, together with The Lion King lively tale Book, Disney Blast and Toontown.
Disney tales: attending to Digital is meant for Disney enthusiasts and present practitioners seeking to examine the construction means of the most recognized animation studios in life. Professors instructing classes in new media, animation and interactive storytelling also will locate this publication a worthwhile asset.
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Additional resources for Disney Stories: Getting to Digital
Within this tighter format, the sequence of actions for the gags and situations held together as a story (at least it had potential to do so). In his biography of Walt Disney, Neal Gabler provides an example of the directions for a scene in the Laugh-O-Gram Cinderella:8 FLASH TO CLOSE-UP OF ONE FAT LADY IN HAMMOCK reading ‘Eat and Grow Thin’ – another girl very skinny sitting in chair – they are eating out of it – slim girl puts down book – she is cross-eyed – she begins talking to fat girl – fat girl answers back.
Some shorts, however, such as Alice the Jail Bird, are not only packed with gags, but have a recognizable story as well. The gags in Alice the Jail Bird are some of the most innovative in the series. From the first gag that sets the story in motion, the gags are mostly contextual and move the action forward. Alice and Julius, as they are riding along on the back of a turtle, see a pie in the window of a three-story tenement building. The turtle obligingly stretches his neck up to the window for them and they steal the pie.
She was having problems with two of the series she represented and was eager to find a new cartoon series with which to replace them. Without seeing Alice’s Wonderland she had written back immediately. Walt, discouraged with the financial problems of Laugh-O-Grams, had already left for Hollywood in early August 1923 and had “put my drawing board away. What I wanted to do was get a job in a studio—any studio, doing anything” (Gabler 77). He visited them all, looking for ways to get introductions and find work in the film industry, but he made little headway.