Digital retouching and compositing : photographer's guide by David D. Busch

By David D. Busch

Written from a photographer's perspective, "Digital Retouching and Compositing: Photographers' consultant" solves each snap-shooter's real-life difficulties painlessly. It distills complicated issues all the way down to a number of pages of clarification and straightforward steps so clients can fast and dramatically switch the way in which images glance. The e-book is split into 3 elements: studying the fundamentals, sensible Retouching, and Compositing Magic. each one part builds at the final in order that readers can develop into happy with making designated decisions, doing uncomplicated retouching, and adjusting tones and colours earlier than leaping into significant subject matters like retouching pix or developing lifelike composites.

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Quotation information: Mimesis: Desarticulations (Paris: Flammarion, 1975), pp. 166-275.

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Save selections in channels or layers for later use, and use those saved selections to add to or subtract from new selections that you create. Making Selections in Regular Geometric Shapes Photoshop's Marquee tools can be used to create selections in regular geometric shapes, such as rectangles, squares, ovals, and circles. Although there is no special tool for creating other kinds of pixel-oriented regular curved shapes or polygons (such as heart shapes, triangles, or pentagons), you can use other Photoshop tools to draw them.

Vector masks are not pixel-oriented like selection masks, which means you can resize or reshape a vector mask without being subjected to the jaggies that plague rasterized (pixel) objects. Like clipping groups, vector masks are more of an artistic tool, but can be used for retouching or compositing if you have a sharp-edged object in your image. Layer Masks Layer masks are masks associated with a specific layerwhich doesn't tell you a lot, does it? Think of a layer mask as a kind of selection, stored as an alpha channel, which applies only to one particular layer.

Unlike anti-aliasing, feathering can be applied after the fact. With an active selection, just choose Select > Feather, choose the feather radius, and then click OK. 6. Thanks to the feathering of the selection, the castle seems to fade into the floating rock The Magnetic Lasso tool has even more options to choose from. Width. This sets a detection width on either side of the mouse pointer that Photoshop uses to look for high contrast areas to "hug" to. It looks for edges only within the width you enter.

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