Digital Photography Workflow Handbook using Photoshop CS and by Steinmueller B., Steinmueller U.

By Steinmueller B., Steinmueller U.

Uwe & Bettina Steinmueller from the electronic Outback photograph site have published the DOP2000 electronic images Workflow guide in PDF booklet structure. This new ebook has over 360 pages of knowledge on specialist electronic images workflow together with Photoshop CS, uncooked manipulation and output, figuring out histograms, utilizing gains corresponding to shadow / highlights and sprucing in addition to overlaying extra simple points of publicity correction.

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Extra info for Digital Photography Workflow Handbook using Photoshop CS and Raw Converters for the Digital Photography Workflow

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Many photographers are very in good exposure metering but watching for the histogram gives much even more control. If you have an overexposure, you can dial in an EV (exposure) compensation and repeat the shot. You should continuously watch the histogram. Some cameras allow the display of the histogram automatically after very shot (highly recommended). When working from a tripod use only manual exposure. This is easier than using EV correction to correct the exposure. The right values do not change that often.

These experiments add up to a lot of time optimizing your images. If you sometimes feel lost don't worry, you are not alone! 4 UNDERSTAND OBJECTIVE AND SUBJECTIVE WHITE BALANCE There is a big difference between pleasing and correct colors. Only in a few photographic disciplines do you really care about the right color. This is the case for photographing fabrics and maybe catalog shots. Otherwise you mostly aim for pleasing colors. The most discussions occur over what makes a good skin tone. Here there even exist a lot of cultural differences.

This indicates lost data and shows up in an inferior gradient smoothness, or posterization. Note: On the other side these gaps should not make you nervous. If the photo and print look fine, that’s all that counts. Conclusion: Remain as long as possible in the 16 bit mode. Why would you ever use 8 bits per channel if 16 bits is so much better? g. layers) are not available for 16 bits/channel Before Photoshop CS was released, all our work was done in 8 bit layers and we also got good results. But if you have enough disk space, memory and fast processors, 16 bit is the best way to go.

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