Color Confidence: The Digital Photographer's Guide to Color by Tim Grey

By Tim Grey

Colour self belief is a realistic, results-oriented ebook that provides photographers the data they should deal with colour successfully from trap to output. electronic imaging specialist Tim gray designed this e-book for busy photographers who are looking to get effects with no wading via a whole bunch information regarding colour science—-distilling an important recommendations into real-world use. He teaches in simple terms the speculation that photographers needs to recognize to appreciate how colour administration works, and makes a speciality of the sensible info they should make judgements while operating with their pictures: the particular tactics that in achieving the easiest effects possible.

Managing colour images within the electronic age is difficult. Is it attainable to get predictable colour with no bogging down in technology?

In this re-creation of the first actual functional advisor to paint administration, electronic imaging professional Tim gray provides a convincing "yes" and gives the an important info you must get the colour you will have, at any time when. in actual fact explaining colour administration workflow, he distills the method for the true world—from seize to output.

You'll the best way to speedy get predictable colour effects throughout all devices—from cameras, displays, and printers, to scanners and raster photo processors (RIPs). up to date with new info on Photoshop®, RIP expertise, and calibration, this results-oriented ebook is a needs to for all severe photographers.

Inside, you'll notice how to:

Calibrate your video display speedy and accurately
Configure colour Settings in Photoshop for the output you need
Scan for most sensible effects, beginning with selecting the best scanner
Use a RIP for speedier caliber printing
Select the right kind colour operating space—RGB, CMYK, spot colour, or others
Manage your digicam catch with presets and customized profiles
Adjust colour degrees, curves, and hue
Solve the magenta challenge and different saturation issues
Set up customized, canned, or familiar printer profiles
Produce color-accurate pictures for printers, the net, e mail, and slideshows
Understand colour workflows—Scan-to-Print, electronic Camera-to-Print, and extra

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Extra resources for Color Confidence: The Digital Photographer's Guide to Color Management

Sample text

When she sees that old friend from high school, you want to be sure you’ve closed in on her face and are ready to go. On the other hand, be selective in the moment you A subtle, soul-searching choose. You are painting a portrait of her happiness forever, so take it seriously and find that perfect moment, not just the first one that comes along. (Note: The same goes for melancholy photographs. If expression can actually be far more compelling in its complexity. you are shooting a poignant moment, remember that its impact relies on just how much emotion we see in the subject.

A PERSONAL APPROACH When photographing people, the decisive moment occurs in a fraction of a second and paints a portrait of a person’s life; it reveals a bit of their true personality. In this moment, a rich complexity arises from the interplay of what the subject is feeling in that instant and how that feeling is interwoven into their entire life. It is a portrait of their innermost self being exposed, if only for a second. When we attempt to isolate one moment that will create a portrait of someone’s personality and emotions, our success is contingent on the precision of our selection—which second we choose.

There are countless little interesting moments and interactions happening. This also gives you ample opportunity to practice your skills. Sometimes I shoot a group situation, other times I like to close in on one person and create a portrait of them in that environment. capture. By simultaneously distracting themselves and creating photographic opportunities, they’re doing half the job for you! In a crowd at a wedding, expressive and sentimental moments are sure to occur. I often get bumped into or stepped on, then hear the subject say, “Oh!

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