By Editors at Future Publishing
In Black & White images Made effortless we discover the area of black and white and view exhilarating new how one can process the mono medium. even if you’re a semi-pro photographer trying to find notion or a complete newbie not sure which D-SLR settings to take advantage of, this crucial 228-page consultant might help you to enhance as a photographer by means of broadening your horizons and beginning your eyes to the opportunity of black-and-white images.
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Extra resources for Black & White Photography Made Easy
There are plenty of methods out there, but for a non-destructive effect use our grey Fill Layer method, below… Do it the right way with a grey Fill Layer Create a grey Layer Click Layer>New Layer. Choose Soft Light from the Mode menu and check Fill with Soft-Light-neutral colour (50% grey). Select the Brush Tool Select the grey Layer and choose an appropriate sized and feathery Brush (B) tool with ‘normal’ blending. How we added impact Midtones This was shot to preserve midtones in the brickwork and clothing as the main contrast is provided by the face, shirt and jacket.
48 Black & White Photography Made Easy 2011 Curves adjustment Return to the ‘Background’ layer and go to Enhance>AdjustColour>Adjust ColourCurves. Darken the shadows by dragging the slider right. Reduce Midtone Brightness a little. Go to Filter>Correct CameraDistortion and add a vignette. net Add a classic border The Canvas Size command is all you need for a super-fast way to create a classic frame WHAT YOU’LL NEED Photoshop CS/Elements WHAT YOU’LL LEARN How to use the Canvas Size dialog. How to add a key line and a classic border IT ONLY TAKES 15 minutes Lucy Sparrow There are many ways to create classic plain borders and key lines in Photoshop Elements, but this has to be one of the quickest.
The distressed look O ne of the great things about digital photography is the almost limitless ways a black-and-white image can be processed, and the distressed look is growing in popularity. This is achieved by making a composite image out of one main shot and a selection of photographs that comprise of textures. The images are then blended together. First, look for an appropriate subject as the main image. Think dilapidation – old buildings, farms, barns, ruins – or perhaps think the total opposite.