Baby Love: An Affectionate Miscellany by Rachael Hale

By Rachael Hale

It's the nature of infants to be in bliss. —Deepak Chopra

Award-winning photographer Rachael Hale turns her lens on a brand new topic, babies.

Rachael Hale's luminous four-color images captures the essence of infants dozing, guffawing, and mugging for the digicam. even if the infants are splashing fortunately within the bathtub, slumbering at the couch, or watching on the digital camera with wide-eyed rapture, Hale's pictures specialize in the babies themselves, and her lens captures the internal soul, humanity, and personality of every little one.

Baby Love combines greater than a hundred expressive child photos with a mix of poetry and verse, in addition to staggering evidence and historic information that commemorate all issues child. Readers will study the place birthdays originated and the way diversified nations around the world have fun the yearly milestone, in addition to extra baby-inspired proof and minutiae. additionally integrated are lists of the head boy and woman names to aid motivate moms—and dads-to-be.

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Extra resources for Baby Love: An Affectionate Miscellany

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Ing a suppOrt. anscendent rather than . nence as 15 the One C to SCIence, philosophy is m _ general an autosco - vompared . h sense that it is auto-position , auto-re feXlon l' p~ In t e etc I double, divided-doubled , b eSleued _ by 5 , I - - ' a ways mythological and hallucinato 0 .. pec~ ar Images, this that motivates the vain thryeraenutl~s. It IS moreover I. peutlcs that it to Its own subject. An e ' . app les . xpenence of alIenation of d' propnaoon and reappropriation , it - IS - th e wauer ' Isapf auto-hetero-photograph y, 0 f t h e mythological " h 0 b an -d of a transcendental h y n return: as death and ~o ~t~OrphhY that ~ultivates its own .

H sense that it is auto-position , auto-re feXlon l' p~ In t e etc I double, divided-doubled , b eSleued _ by 5 , I - - ' a ways mythological and hallucinato 0 .. pec~ ar Images, this that motivates the vain thryeraenutl~s. It IS moreover I. peutlcs that it to Its own subject. An e ' . app les . xpenence of alIenation of d' propnaoon and reappropriation , it - IS - th e wauer ' Isapf auto-hetero-photograph y, 0 f t h e mythological " h 0 b an -d of a transcendental h y n return: as death and ~o ~t~OrphhY that ~ultivates its own .

Exposing an aspect of existence 52 A SCIENCE OF PHOTOGRAPHY that is entirely its own, the in-photo gives us to sense an absolute dispersion, a manifold of singularities or of determinations without synthesis, a materiality without materialist thesis since every thesis is already given in it, in its turn, as 'flat',just like any other singularity whatsoever. , in a weakened form, photography gives for the first time a field of infinite materialities which the photographer is immediately 'plugged into'.

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