After Effects Most Wanted by Christian Darkin

By Christian Darkin

So you may have a replica of After results and an concept of what this specialist movement pix and results instruments can do...but what are you able to particularly do with After results? How a ways are you able to push it? What are the simplest results that you should create? What are the fundamental abilities and methods you'll want to quite make your creations stand out?

After results such a lot Wanted solutions those questions in a clean and sensible method. a wide selection of tasks, the unique artists let you know why, and precisely how they created their masterpieces.

The authors, all pros who use After results to make a residing, proportion with you the secrets and techniques in their successes and expand past that to provide you the explanations why they did issues the best way that they did.

Moreover, the accompanying CD has their creations on hand at your fingertips and the straightforward, step by step directions within the ebook express you ways they created those pieces.

The tasks lined are diversified, from a thought-provoking paintings by means of popular and debatable artist Simon Tsyko, a piece featured by way of Adobe of their movement gallery, to a tv advertisement for McDonald's and Coca-Cola by means of Peter Reynolds.

Other authors comprise: Joost Korngold ( and Chris James Hewitt, whose Relokation Ne is the featured paintings at the BD4D (By Designers For Designers) site, Christian Darkin, a electronic video journalist and writer, and Mark Towse, who bargains items, one for television and one for the cinema.

Without lengthy, redundant discussions of instruments and alertness applications, After results so much sought after is a e-book that supplies the thoughts, talents, and results that might allow you to convey your creations to life.

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Quotation information: Mimesis: Desarticulations (Paris: Flammarion, 1975), pp. 166-275.

Extra resources for After Effects Most Wanted

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You will not just have x and y axis to work on now, but x, y and z, so we can alter the way the text is going to dynamically shoot on to the screen. Set x rotation to - 50 and z rotation to +40. 43 AFTER EFFECTS MOST WANTED 47. Position the X-treme text in the center of the screen. Now copy the layer twice. Change the text to 'Snowboarding' and 'Championship' respectively, whilst also changing the font to Aria! or Arial MT, depending on your personal preference. Position the text as shown in the screenshot.

MULTIPLE VIDEO CLIPS AND MORPHING 33. Drag the clip onto the timeline and position it on the screen at the same location as the static image. Make sure it is lined up directly after the image ends on the timeline. You may find it easier to position the clip by changing its opacity, placing it over the top of the static, and then increasing Opacity back to 100%. 34. Now you can drag the static_l_ end. tif file, which is a static image of the final frame of the clip, to the timeline. Repeat the anchor point steps and shrink from 100% to 40% as before, keyframing the tint as well.

E lo Ieee e e e • e e e lo e e • e • e e e e e • • • e lo. • e e I e e lo lo e e e • e e e lo e lo lo e •.. •. • • . •... •.. •.. • • • • • • VIDEO ART, LET'S DANCE ....... .......... .. .. .... This is how the text will be laid out finally, and we can therefore use this layer to place the individual letters. Like much of After Effects this is quite painstaking - meticulous yet ultimately rewarding. We first need to separate the letters. 4. Initially duplicate the temp late layer by highlighting it in the timeline and selecting Duplicate from the Edit menu (or CoNTROLICMD + D).

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